Doin’ the Christmas Shuffle, Vol. 24

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(Pictured: Stevie Wonder plays live at Christmas 2013.)

Here’s a Christmas shuffle playlist, probably the only one at this website this year. Enjoy.

“The New Hallelujah”/Ralph Carmichael and Clark Gassman. Carmichael was a musical giant: arranger/conductor on Nat King Cole’s ubiquitous 1962 Christmas album and nine more albums until Nat’s death in 1965, and for other major stars; composer of TV and movie themes; prolific writer of gospel songs. In 1970 he made a Moog synthesizer Christian-music album with fellow composer/arranger/musician Clark Gassman, which contains this version of the “Hallelujah Chorus.” I file it with the Christmas music because a lot of people consider it to be Christmas music, although I associate it more strongly with Easter, for reasons you will read about below.

“Hark the Herald Angels Sing”/Rick Wakeman. This version is from a 2016 BBC Radio appearance with Wakeman solo at the piano, but I have recommended his glorious Christmas Variations album to you many times before. For 180-proof Christmas atmosphere, you can’t do better.

“Rudolph the Red-Nosed Reindeer”/Crystals. From A Christmas Gift to You From Phil Spector, which remains essential, although it feels less so to me this year. Maybe I’m getting to where I don’t need to hear the whole thing as an album anymore. It’s happened before.

“Sleigh Ride”/Soulful Strings. I didn’t hear the album The Magic of Christmas in its entirety until sometime in the early 00s, and I was surprised by how much of it I already knew. It was clearly in the air every Christmas before that, on the radio and elsewhere, and I’d picked up most of it by osmosis. If you’re of a certain age, I’m guessing you did too.

“White Snows of Winter”/REO Speedwagon. When REO released Not So Silent Night in 2009, their last studio album to date, I was not impressed. Today it doesn’t bother me as much. Was it necessary? Nah. Am I mad about it? Nah.

“The Twelve Gifts of Christmas”/Allan Sherman. Released as a single in 1963, “The Twelve Gifts of Christmas” does a great job capturing the weird taste of gift-givers, and the polite bewilderment of those who might receive a pair of teakwood shower clogs, or a statue of a lady with a clock where her stomach ought to be. Here’s a live performance from The Jimmy Dean Show at Christmas 1963.

“Ave Maria”/Stevie Wonder. When I was a kid, our church held Easter Sunday services in the junior high auditorium, a magnificent performance space, always an elaborate blowout with a big choir, an organist, pianist, and sometimes several other musicians. It was the only time a Methodist boy was likely to hear “Ave Maria.” For that reason, I associate it with Easter, same as I do “The Hallelujah Chorus.” Many artists have put it on Christmas albums, but the only two I care to hear are Barbra Streisand’s and this one, which is the only one that features the harmonica.

“Holiday”/Taken by Trees. From the Paste magazine 2018 holiday sampler. I have a couple of these indie-rock Christmas compilations in my collection, and they’re wildly erratic. In general, the original songs are fine. But the covers of Christmas classics are too often performed with condescension, as if the bands were saying, “You know we’re too hip for this stuff, right?”

“Have Yourself a Merry Little Christmas”/Duke Pearson. The 1960s were the golden age of Christmas music. In such a thirsty marketplace, a record label or an artist could do quite well by indifferently slapping together a few holiday songs, putting a picture of Santa on the cover, and shipping it out. But Merry Ole Soul is not that; I think I’ve said before that it’s one of the few Christmas albums you can put on in July and enjoy even then. I’ve said a lot about Merry Ole Soul, actually. I have been writing these Christmas shuffle pieces since 2007, and I am pretty sure I’ve mentioned it in almost every one of ’em.

“Santa Claus Is Comin’ to Town”/Ray Charles. It’s mildly surprising to me that it took Ray Charles until 1985 to make a full Christmas album. He was at the height of his cultural reach then, no longer a hitmaker but an icon and almost a Jungian archetype, somebody everybody recognizes even if they don’t know the reason why. I find that no individual cut from The Spirit of Christmas sticks in my head after it’s done, but it’s an album I bring out every year, like the other Christmas decorations.

Doin’ the Christmas Shuffle, Vol. 23

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(Pictured: Fiona Apple, 2005.)

In 2007, I began the tradition of putting my Christmas library on shuffle and writing about whatever pops up. This year, however, I am not listening to as much Christmas music as I have in the past. But I want to keep the tradition going, so here:

“Frosty the Snowman”/Fiona Apple. From a 2003 Sony Music compilation Christmas Calling, which features a number of Sony artists. Along with Apple, the album also includes Fuel, Tenacious D, Keb’ Mo’, Macy Gray, and others. Apple’s version of “Frosty the Snowman” is fine, I guess, although it’s not a song I need to hear all that much.

“Let It Snow”/John Legend. Legend is one of 16 people to win an Emmy, Grammy, Oscar, and Tony, he’s recorded several Top-10 albums, he’s on The Voice, and he’s married to a supermodel. But apart from the #1 hit “All of Me,” he has but three other Hot 100 hits, one that peaked at #23 and two at #24. “Let It Snow” is the opening track on his 2006 EP Sounds of the Season.

“Have Yourself a Merry Little Christmas”/Judy Garland. This is the OG, from the 1944 movie Meet Me in St. Louis. Although the movie was set in 1903 and is about a family moving away from their home, “Have Yourself a Merry Little Christmas” was topical in 1944, after three years of the Second World War: “next year all our troubles will be out of sight,” and “until then we’ll have to muddle through somehow.” Singing it in the movie, Judy was acting the part of someone smiling through tears, but considering all we know about her life now, it’s likely she didn’t have to dig very far to access that emotion, even at age 22.

“The Christmas Song”/Bob Dylan
“Kitty Cats Christmas”/Leon Redbone
In 2009 at Pitchfork, Amanda Petrusich called Dylan’s Christmas in the Heart album “insane” and “surreal,” but also “a nice assortment of hymns and popular carols.” All of those things are true, but Leon Redbone got there first in 1989 with Christmas Island. “Kitty Cats Christmas” was added to the album for the 2003 reissue.

“Sleigh Ride”/Los Straitjackets. From a 2015 concert bootleg of a show with Nick Lowe, this is a cover of the Ventures’ version of “Sleigh Ride,” which incorporates the main guitar riff from “Walk Don’t Run.”

“Mr. Grinch”/Mojo Nixon and the Toadliquors. It is the official position of this website that “You’re a Mean One, Mr. Grinch” should never be covered by anybody, ever. It is so strongly identified with How the Grinch Stole Christmas—and with one particular scene in the show—that it does not translate outside of the show, no matter how hard an artist might try. Mojo Nixon isn’t trying, though. His album Horny Holidays exists mostly to blow raspberries at Christmas music, although it’s not entirely without its charms. “Mr. Grinch” is not one of them, however. There’s a music video for it, which is even more excruciating than the song alone.

“Mambo Santa Mambo”/Enchanters. The mambo craze of the 1950s produced some terrible records, although “Mambo Santa Mambo,” from 1957, is pretty good. (Also good: “We Want to See Santa Do the Mambo” by Big John Greer, from 1955.) This group of Enchanters was from Detroit and is not the same group of Enchanters fronted by Garnet Mimms, who famously hit with “Cry Baby” in 1963.

“Merry Christmas Baby”/Carole King and Friends. In 2011, King released A Holiday Carole, produced by her daughter, Louise Goffin. In December of that year, she played a show in the UK that was recorded for broadcast on the BBC. It included UK stars Richard Hawley, the Puppini Sisters, and the Mummers, as well as American singer Gregory Porter. “Merry Christmas Baby” was the show closer featuring the entire company. You can get the whole show here, if it’s something you think you need.

“Joy to the World”/Edison Concert Band. From a cylinder recorded in 1906 and released by the Edison National Phonograph Company, from a time when the name “Edison” would have been a mark of quality far more important than the names of individual musicians. I have a few Christmas cylinder recordings in my collection (digitally, not the cylinders themselves), and I always find them quite moving to listen to. That’s because “Joy to the World,” as familiar to us as it was to listeners 115 years ago, represents one of the many threads running through our holiday celebrations that go back not just generations, but decades and now, centuries.

Doin’ the Christmas Shuffle, Vol. 22

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(Pictured: Mary J. Blige on stage at Christmas 2013.)

It has been three years since I managed two of these Christmas shuffle features in one holiday season, so pin a rose on me, I guess. This playlist covers better than 60 years and a whole lotta styles.

“Moonlight, Mistletoe, and You”/Keb’ Mo’. This is the title song from Keb’ Mo’s 2019 Christmas album, which is not so much a blues record as it is an affable soul singer providing a pleasant 35 minutes of entertainment. I believe our friend Jeffrey Thames sent it along last year, and I don’t think I ever publicly thanked him, so thank you sir.

“I Yust Go Nuts at Christmas”/Orion Samuelson and the Uff-Da Band. Samuelson, a titan of broadcasting, has been at WGN in Chicago for 60 years and will retire at the end of this year, age 86. I can’t say for sure when his Yogi Yorgesson cover was recorded, but I don’t suppose it matters.

(Digression: there’s an amazing recording from November 22, 1963, in which Samuelson interrupts his noontime farm report to read the bulletin from Dallas. All he’s got is the first brief notice, little more than one line, and you can hear him thinking, “My god, what should I do now?” before deciding to continue with the farm news. But as he reads, it’s clear that he’s looking through the studio window into the newsroom praying that somebody will bring him more information.)

“God Rest Ye Merry Gentlemen”/Aimee Mann
“God Rest Ye Merry Gentlemen”/Billy Idol
Both of these are on albums released in 2006. Idol’s Happy Holidays is far better than it had to be. On One More Drifter in the Snow, Mann was going for a Charlie Brown Christmas vibe, but it’s mostly just morose. (Whole album here.)

“Christmas In Dixie”/Alabama. “Christmas In Dixie” came out in December 1982, when Alabama was just beginning its incredible run of success. Country stations still play it, although pop stations that might have done so when Alabama was crossing over do not. I like it, mostly for reminding me of Christmases from when I was a little baby DJ nearly 40 years ago.

“White Christmas”/Patti Smith
“White Christmas”/Hadda Brooks
Smith’s one-time run-through of “White Christmas” was released sometime around 1978, billed to “r.e.f.m.”, put out over the years on a couple of different labels, and produced by “the Runt,” Todd Rundgren. Brooks was a ballad and boogie-woogie piano player who first recorded in 1945, and so her “White Christmas,” from 1950, includes a long and lovely piano interlude. It came to me from the always-excellent site Any Major Dude With Half a Heart, where the Dude has reupped his entire collection of Christmas mixes. Stock your collection with 90 years of good stuff here.

“It’s the Most Wonderful Time of the Year”/Patti Labelle. Since my Christmas library plays mostly on shuffle, certain songs get overlooked, often for years at a time, and so I forget they exist. For example, there’s this complete reinvention of the Andy Williams warhorse from a 2007 album called Miss Patti’s Christmas.

“This Christmas”/Mary J. Blige. A Mary Christmas was released in 2013 and contains this terrific cover of the Donny Hathaway standard, which celebrates its 50th anniversary this year.

“I’ll Be Your Santa Baby”/Rufus Thomas. The stars of Stax recorded a fair bit of Christmas music during the label’s heyday. Some of it which was collected on It’s Christmas Time Again, released in 1982, an album replaced by Christmas In Soulsville, released in 2007. “I’ll Be Your Santa Baby” makes the Hip Christmas List of Sexiest Christmas Records, which is a good horny read. (Hip Christmas is a fabulous site I hadn’t visited in several years until recently. You should go there too and explore its “dysfunctionally vast web archive dedicated to holiday music that rocks, rolls, swings, and twangs.”)

Note to patrons: Here’s our programming rundown for the remainder of 2020: there will be new One Day in Your Life posts here on both Christmas Eve and Christmas Day because they’re my favorite thing to write. Next week Monday and Tuesday you’ll read about another American Top 40 year-end countdown show. On New Year’s Eve and New Year’s Day, there will more new One Day in Your Life posts.

Also: I am not doing a Christmas podcast this year. If you want to listen to last year’s, find it here. (I listened to it again myself. It’s good.)

Also also: I will be on the air during Magic 98‘s annual 98 Hours of Christmas Magic tomorrow and Thursday from 6 til 10AM. I hope you’ll drop in for a while.

Doin’ the Christmas Shuffle, Vol. 21

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(Pictured: I was going to post a pic of Emmylou Harris alone, but when you can post three queens all at once, you do it. This is from the 2019 Musicares gala.)

I never get through my entire laptop Christmas library every year. In fact, some of the stuff on it hasn’t been favored by the gods of shuffle in a long time. To assemble this playlist, I loaded up everything that hasn’t been on since 2015 or earlier.

“Child of Winter (Christmas Song)”/Beach Boys. The band released the hit compilation Endless Summer in June 1974, so the marketplace would have been primed for something new that Christmas. But they dropped “Child of Winter” on December 23, 1974, which made sure practically nobody heard it. And by Christmas of 1975, it was forgotten.

“The Little Drummer Boy”/Harry Simeone Chorale. I have said many times over the years that the Chorale’s 1958 recording is the only version of “The Little Drummer Boy” you need. A ghostly mixed chorus carries the melody over a bed of manly rum-pa-pum-pums, and you can get lost in the sound of it. Every other vocal version foregrounds the verse and you have to actually listen to the words, which dilutes the charm of it pretty fast.

“O Little Town of Bethlehem”/Emmylou Harris. From Light of the Stable, released in 1979, an album I remember playing on the radio as a little baby DJ. Like the rest of the album, “O Little Town of Bethlehem” is gorgeous, and Emmylou sings a verse you don’t frequently hear.

“My Favorite Things”/Supremes. This year’s annoying millennial Internet Christmas trope, which I have seen several times already, is “why is ‘My Favorite Things’ a Christmas song?” I refer you (and them) to this 2017 piece from Billboard, which traces it to a 1964 Jack Jones album. His producer didn’t think it was Christmassy either, until a song plugger said, “Just put some sleigh bells on it.”

“The Christmas Song”/John Edwards. Edwards was recently mentioned at this site in a discussion of porn mogul Michael Thevis and the record labels he used to launder money. This draggy 1976 version of the Nat King Cole classic runs five minutes and seems longer.

“Christmas Song”/Phoebe Bridgers. This is a different song from the one Edwards is singing, and I don’t care much for the watery, distorted production on it, or the unresolved chord it ends on. (Those sorts of tricks are done everywhere now, in pop, country, indie, and elsewhere, and I’m old, so it’s clearly a Me Problem.) Despite that, Bridgers sings a devastating lyric beautifully: “The sadness comes crashing like a brick through the window / And it’s Christmas so no one can fix it.”

“We Wish You a Merry Christmas”/Kim Weston. Just as Bridgers’ “Christmas Song” is not Nat’s, Weston’s “We Wish You a Merry Christmas” is not the round many of us learned to sing in grade school. Weston, one of Motown’s early stars, recorded it in 1962, which you could probably guess from the sound of it.

“Let It Snow! Let It Snow! Let It Snow!”/Roomful of Blues. The 1997 album Roomful of Christmas is never one I consciously put on and listen to in its entirety, but every time a track comes up on shuffle I think, “Damn, this stuff is really good.”

“Yingle Bells”/Yogi Yorgesson. Ol’ Yogi, the alter ego of parodist Harry Stewart, is mentioned at this website most Christmases, I think. Dad was a fan, and I have inherited the singles he bought in the early 1950s. “I Yust Go Nuts at Christmas” is most famous, but this was the flip side.

“Happy Xmas (War Is Over)”/Sarah McLachlan. Certain songs probably shouldn’t be covered because the originals are so compelling and unique, so that’s one reason to dislike this. It also has a children’s chorus on it, which is another. But you know what? I’ll allow it, mostly because the video (linked above) is a lovely thing, inspiring the sort of warm feelings and good cheer we all hope to feel at Christmastime, and because McLachlan sings the song beautifully.

The Christmas Shuffle series began at this website in 2007, and in each of the last several years, I have managed to do it only once. Will there be a second shuffle before the big day arrives? It’s always a mystery.

Doin’ the Christmas Shuffle, Vol. 20

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(Pictured: Darlene Love on stage, 2014.)

A lot of people welcome the expansion of the Christmas season to early November. The music and the decorations make them feel good, and I’m willing to accept pretty much whatever you have to do to get through the day in hopes you’ll grant me the same privilege. And I suppose there’s an argument that people are busier now than they used to be, and maybe it takes longer to get all of the seasonal stuff done than it used to. Maybe a seven or eight-week Christmas season is a kindness.

Maybe. But at my house, we do not permit Thanksgiving to be a speed bump on the way to bigger things. We do not bust out the music or the decorations until the day after Thanksgiving at the earliest. (The decorations may stay up until Valentine’s Day, but the point is, we don’t get ’em out early.) Since today’s the day, here’s the first installment of a tradition we started back in 2007.

“Daddy’s Christmas”/Albert Brooks and Little Kristi. “Daddy’s Christmas” is a 1974 single written and produced by Brooks and Harry Shearer featuring a dialogue between a mean-spirited father and his little girl. It’s supposed to be funny, I guess.

“This Christmas”/Diana Ross. In 1993, Motown released Christmas in the City, a compilation with 10 tracks from the label’s 1960s Christmas output and six previously unreleased tracks, including this perfectly fine 1974 version of “This Christmas,” and perhaps of greater interest, both sides of a proposed 1972 Marvin Gaye single that was never released.

“Deck the Halls”/Moog Machine. Fifty years ago, Switched-On Rock by the Moog Machine featured 10 covers of then-recent hits, from “Jumpin’ Jack Flash” and “Hey Jude” to “Yummy Yummy Yummy” and “You Keep Me Hangin’ On.” Christmas Becomes Electric appeared in time for Christmas 1969. Like the rest of the album, “Deck the Halls” was highly futuristic then but sounds fairly primitive and dated now. That is, however, part of its ongoing appeal.

“Please Come Home for Christmas”/Robert Bradley’s Blackwater Surprise. The story goes that a group of Detroit musicians heard Bradley singing through an open window, invited him to record with them, and eventually made the blind street musician the namesake of their group. They made four albums between 1996 and 2009; this was on a Christmas EP in 2001.

“What Christmas Means to Me”/Darlene Love. Forty-four years after A Christmas Gift to You From Phil Spector, Darlene Love released a full-length Christmas album that avoids carols in favor of songs not often covered: Tom Petty’s “Christmas All Over Again,” the Pretenders’ “2000 Miles,” and “Santa Claus Go Straight to the Ghetto” among them. Her faithful version of “What Christmas Means to Me” is every bit as good as Stevie Wonder’s original.

“Silent Night”/Starland Vocal Band. In 1980, the Starland Vocal Band reconvened to make a Christmas record. I have not heard the whole thing, but at least one track has a children’s choir on it, which is often a giant blinking red light warning “run away.” Their “Silent Night” is fine, though, with tender vocal harmonizing over acoustic guitars and somebody blowing on a recorder.

“Jesu Joy of Man’s Desiring”/David Qualey. From the first Windham Hill collection, A Winter’s Solstice, released in 1985. None of its ten songs has the first thing to do with Christmas, but I’m guessing most people who have it store it with the Christmas records, as I do. Qualey is an Oregon-born guitarist who lives in Germany and who recorded his first album in 1975.

“Black Christmas”/The Emotions. In 2007, the reconstituted Stax label released Christmas in Soulsville, featuring holiday songs cut in the 60s and 70s, both famous (Otis Redding’s “Merry Christmas Baby,” Booker T and the MGs doing “Winter Wonderland”) and not, including “Black Christmas.” It was written by Pervis Staples and co-produced by David Porter and disappeared on its release in 1970 (although a version by the Harlem Children’s Chorus has one listing at ARSA). [See comment below.] And holy smokes is it great.

“Stone Soul Christmas”/Binky Griptite. In 2007, the master of ceremonies and guitarist with Sharon Jones and the Dap Kings turned the Fifth Dimension’s “Stoned Soul Picnic” into “Stone Soul Christmas,” ditching the surrey and easing on down.

“Here Comes Santa Claus”/Elvis Presley. That Elvis would release a Christmas album in 1957 was a conclusion as foregone as tomorrow’s sunrise. Its most familiar performances (this one, “Blue Christmas,” and “Santa Claus Is Back in Town”) have been anthologized everywhere. It’s less well-remembered that the album features four gospel songs, including a version of “Precious Lord, Take My Hand.”

We could do this again before Christmas Day, but the season is as short as it can be this year. You’ll have to wait and see.

Doin’ the Christmas Shuffle, Vol. 19

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(Pictured: John and Yoko’s War Is Over campaign began with billboards at Christmas of 1969. It would be followed two years later by a song you may have heard.)

In 2007, I started putting my Christmas library on shuffle and writing about whatever comes out. It’s a tradition I have tried to maintain ever since, and we’re gonna come in right under the wire with this year’s lone installment. This one has a twist: I have about 70 cuts in my library that show as “never played.” That’s not accurate—sometimes Media Jukebox simply loses play information—but by shuffling up that list, I can plausibly say I’m writing about and listening to stuff that is relatively new to this feature.

“Happy Xmas (War Is Over)” (acoustic guitar demo)/John Lennon. There are several bootleg versions of “Happy Xmas.” This one, from The Alternate Shaved Fish, makes brand-new a song you’ve heard a million times. (Get the whole Alternate Shaved Fish from ROIO, my favorite bootleg site, here.)

“Love for Christmas”/The Gems. Fabulous girl-group R&B recorded for Chess in 1964 and featuring Minnie Riperton. Funky16Corners has the story and the download here.

“All I Want for Christmas Is You”/Carla Thomas. Not the Mariah Carey perennial, but a melancholy broken-heart ballad from 1966.

“Silver Bells”/Supremes. This has been a radio staple since 1965, a year in which Motown acts first started recording Christmas music. The best compilation of that stuff is still A Motown Christmas from 1973. Another set came out in 2008 that looks to have been more extensive, but it seems to be out of print.

“Christmas in Vidor”/Rodney Crowell. I received two 2018 Christmas releases thanks to Jeffrey Thames at KPFT in Houston: Love the Holidays by the Old 97s and Christmas Everywhere by Rodney Crowell. I did not like the Old 97s album, which is performed with a tongue-in-cheek attitude that slops over into contempt for its audience. Crowell’s album is vastly better. He treats the season with humor too, but isn’t snide about it. “Christmas in Vidor” is not a happy day, but it makes for the best song on the album.

“The Little Drummer Boy”/Moonlion. A disco version, which made #95 on the Hot 100 for the week of December 27, 1975.

“Merry Christmas Baby”/Melissa Etheridge. From her 2008 album A New Thought for Christmas, Melissa goes for gritty where other people who cover the same song go for smooth, and it works.

“Winter Wonderland”/Neil Diamond. From a December 1984 show in which Diamond also tackled “Adeste Fideles,” his own “You Make It Feel Like Christmas,” and 25 years of hits. Get the boot from ROIO here.

“Soul Christmas”/Count Sidney and His Dukes. Hell yeah man, this is the good stuff, released in 1967. As Rockin’ Sidney, Sidney Simien hit in the middle of the 80s with the indelible “My Toot Toot.” Don’t Google that one unless you want it in your head for the rest of the day.

“Run Run Rudolph”/Creedence Clearwater Revisited. This sounds a little bit limp to me—no John Fogerty, no bueno—but it’s harmless. It appeared on Hope for the Holidays, a 2009 benefit album made for the Juvenile Diabetes Research Foundation, an all-over-the-road collection featuring everybody from Mike Love to Hoyt Axton to Weezer.

OK, so that’s all of that. On the flip, read a few words about one of the most successful radio people I know.

Continue reading “Doin’ the Christmas Shuffle, Vol. 19”