The Same Thing, Only Different

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I’ve told the story before, I think. My blogging days began in 2001, shortly after 9/11, when I used a sliver of web space from my ISP to put up something I called “Rant of the Day.” In 2003, I started The Daily Aneurysm, named because there’s always something in the news that makes you want to have a stroke. I stopped writing it in 2006, and it’s no longer available online because somebody squatted on the domain name. For several years I contributed to a current-events site called Best of the Blogs, which also no longer exists. The Hits Just Keep on Comin’ was born in 2004.

Despite focusing on music and radio over here, I still have some of the same impulses to write about current events and other topics that I had years ago. Most of the time, I simply lie down until they go away. Since 2020 went to Hell, however, those impulses have been stronger than before. I have written a lot of stuff that I ended up not posting here because it feels off-brand, to the extent that I have established a brand. I’d like to stick to music, radio, and music/radio-as-memoir pieces here as much as possible, which means that pieces about life on lockdown and other current topics don’t really fit.

Also, it’s likely you come here for diversion from the Great American Dumpster Fire, and not to engage with it. Maybe you come here because you like the music and radio stuff in spite of the fact that I’m a commie-lib atheist. And if either of those is the case, I don’t want to drive you away.

So: if you’re interested in reading that other stuff—about current events, maybe some sports now and then, rebooted pieces I find in my journals, and/or whatever additional flotsam comes into view—please enter your e-mail below. This is different from whatever subscribing or following you have already done with this website. It’s a whole ‘nother thing.

There is no guarantee that when you sign up for this list, you will actually receive anything. I’m starting off by gauging interest, and if it turns out to be insufficient (which will not offend me in the slightest, by the way), this idea will disappear into the ether and we shall never speak of it again.

Outside the Bubble

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I keep writing these Life on Lockdown pieces and then not posting them because I decide that they won’t do anybody any good. Neither will this one, probably.

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Before the Sky Falls In

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(Pictured: last day of school hell yeah.)

Here’s more Life on Lockdown, in which we ramble around to whatever seems ramble-worthy.

If my local districts have stuck to their pre-plague calendars, school is getting out right about now. There is no feeling in adult life that’s analogous to the last-day-of-school feeling, except maybe for voluntarily quitting a job in favor of a better one. You walk out with mingled senses of relief, accomplishment, freedom, and expectation—especially the last two, when you’re a kid out of school. Three months stretch out in front of you rich with possibility. You realize that yes, you’ll probably have to work, either chores at home or hours for The Man in exchange for a paycheck, and that it won’t all be golden time. But some of it will be.

What kids are thinking this year, I don’t know. Their world has been gravely circumscribed by the plague. Some continue to work as usual—my nephew, for example, finishing his junior year in high school, has been working the grill at Culvers all through the pandemic and will continue to do so this summer. Others will find their summer plans scrubbed: no hangouts with friends, no music or Scout camp, no family vacation.

I see kids in my neighborhood, sometimes alone, sometimes in pairs or trios, on skateboards or scooters or just walking along, and I wonder what they’re saying to themselves and to one another. Do they understand just how deep is the trouble we’re in?

I am torn about whether I want them to understand it. I have written previously about 1975, when between inflation and international tension and the energy crisis and the culture wars, it must have seemed to many adults that the nation was falling apart—but also how our parents did the worrying for us, and how my brothers and me, aged 15, 13, and 9, barely knew how bad it was. I don’t think it harmed us to be protected from the worst of it. And as it turned out, we survived it as a family, and as a nation. This crisis is vastly worse, however, and all of the potential outcomes seem terrible. Some kids know the score—the number of young people who have been involved in the recent protests against brutal policing is inspiring to geezers such as I. For the youngest kids, there will be a time when they’ll have to understand, but not yet. For now, let them have a little bit of carefree summer before the sky falls in.

On another subject:

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The Message

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(Pictured: Madison, last Saturday, before it hit the fan.)

(Life on Lockdown returns today with political content ahead. Read it or don’t, be offended or not. It’s up to you.)

We read about George Floyd’s murder, and we react to it in horror. Then we read about the riots and other protests around the country, and we react in horror to them as well. It makes us sad and angry. We wish none of it was happening.

But here’s something lots of well-meaning people are saying: From comfortable living rooms—and comfortable privilege—they want to take the moral high ground above the fray. “Both sides are at fault. The cops shouldn’t have killed George Floyd, but the people of insert big city name here shouldn’t have burned shit down in response. How can America hear what they’re saying when all they see is people on TV breaking windows, starting fires, and looting stores? That’s not the message they should be sending.”

If I had a dollar for every time I’ve seen that, drinks would be on me until time should be no more.

But guess what, Mr. and Mrs. Respectable White People? The riots are the message. People of color have been trying for decades to get privileged white people to see and hear and comprehend the injustices they face and to help do something about it. But nothing ever changes. Asking peacefully hasn’t changed anything. Colin Kaepernick tried it, and some of the same people decrying the current violence turned him into a pariah for it. Voting hasn’t changed anything either, and organized voter suppression efforts aimed at minorities make clear that for them, it isn’t supposed to.

What else would you have them do?

If we have reached the point in this country where people have exhausted all the lesser options, and burning shit down is the only way to effect real change, there’s a great temptation to say that we ought to let it burn. But there’s a broader issue that has nothing to do with burning shit down. After watching police in city after city abuse the legal, civil, and human rights of their fellow citizens night after night—citizens whose only crime, in the vast majority of cases, is exercising their Constitutional right to free assembly—and with the President of the United States ready to unleash the military for the same purpose, it’s hard to argue that the current system is worth saving.

An automatic default to “all violence is bad” without trying to understand why certain people might find violence to be a legitimate response to repression plays into the hands of Donald Trump, who is weaponizing the violence for far more nefarious and destructive ends than broken windows and graffitized buildings. And eventually, not even the moral high ground will save you. Today it’s people of color protesting brutal policing. Tomorrow it could be privileged white people fighting injustices that burst through the doors of comfortable homes in respectable suburbs.

But Jim, can’t you think of something else to write about today? Well, sure.

Continue reading “The Message”

The Before Times

In your home, right now, you can probably look up from your device and see objects that you have invested with meaning: the anniversary picture on a wall, the family heirloom on a bookshelf, the concert or game ticket tacked to a bulletin board. Your eyes skim over them frequently on the way to looking at something more compelling. But if you look and linger, you sometimes find yourself feeling what you felt when those objects came into your life, remembering what they represent.

The BBC recently asked people to share the last “normal” photo on their cameras, taken before the virus crisis began. The picture at the top of this post is mine. It was taken on Sunday March 8, when The Mrs. and I were in Minneapolis to watch the Wisconsin Badgers women’s hockey team.

It was the end of a busy week. The preceding Saturday, February 29, was my birthday; Sunday March 1 was the first birthday party I’d had since I was eight. Wednesday the 4th I traveled to Minnesota for what was supposed to be a three-week trip; on Friday the 6th, Ann came up to join me for the hockey weekend, a trip we’ve made several times in the last few years.

We knew about the virus by then. We were already washing our hands umpteen times a day. But we didn’t fear crowds yet. On Saturday the 7th we pregamed in a bar where people were shoulder-to-shoulder (pictured), and we postgamed at places that were equally crowded. After the game on Sunday we drove an hour up the road to where I would be teaching on Monday; Monday morning we had breakfast in a restaurant with whiteray and his Texas Gal before The Mrs. headed back to Madison. That night after class, I sat elbow-to-elbow with fellow barflies in a brewery taproom. On Tuesday the 10th, I had dinner in a crowded restaurant, once again at the bar. By the next day, the United States was starting to shutter. On Saturday the 14th, I taught what turned out to be my last class. The next day I went home, my trip cut short; my final dine-in restaurant meal was breakfast at a McDonalds by the interstate. I would work a week of radio after that, but since Wednesday, March 24, I’ve been on lockdown.

Back on the Friday of the hockey weekend, while waiting for me to get to Minneapolis from rural Minnesota, Ann went shopping, and she bought me a couple of sweaters. On March 1, to decorate for the party, she got me a bouquet of birthday balloons. On February 29, when we visited Madison’s Working Draft Beer Company, I put a brewery sticker on my phone case.

I find myself wearing those sweaters a lot more than my other clothes these days. One of the balloons, pictured here on April 26, stayed aloft for over two months. It has since sunk down behind the TV, but it’s still visible from where I sit in the living room. The sticker is still on my phone case, and I find myself fingering the edge of it while I use the phone. Like the pictures in this post, they are artifacts of the Before Times, when life was what life always was, before it started on the way to whatever it will become.

The sticker will fall off, eventually. The deflated balloon will have to be tossed. The sweaters will be put away until fall. New objects will come into my life and yours, and they will have new meanings. In the After Times, we hope that there will be new pictures to take and new tickets to tack up. But when—or whether—that will happen, we don’t know.

We just don’t.

Lots of people believe that the After Times are here, that states “reopening” this week means that the virus has been beaten and that normalcy is returning. But there’s little or no evidence for that, other than fairy tales told by self-serving policitians, and our own fond and forlorn wishes.

These are still the Before Times.

We are still a long, hard road away from whatever we are one day going to be.

“How Can You Run When You Know?”

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(Pictured: Neil Young, David Crosby, Stephen Stills, and Graham Nash, 1970.)

The 50th anniversary of Kent State just sort of slipped by last week. I didn’t even find time to listen to “Ohio,” one of the most powerful artifacts of that time.

The story of “Ohio” is in this excerpt from Fire and Rain: The Beatles, Simon and Garfunkel, James Taylor, CSNY, and the Lost Story of 1970 by David Browne (which you should read in its entirety). Neil Young wrote it on May 19. It was recorded in two takes on May 21, sent immediately to Atlantic Records in New York, and first played on stage at New York’s Fillmore East on June 2.

I don’t know who played “Ohio” first, but KPOI in Honolulu, WMCA in New York, and WIXY in Cleveland first charted it during the second full week of June. In mid-July, “Ohio” spent two weeks at #1 at KADI in St. Louis, and a week topping the chart at KINK in Portland, Oregon. Although many influential stations charted it, some of the biggest did not, including WLS in Chicago, WABC in New York, and KHJ in Los Angeles.

(There’s a chart from KWHP in Edmond, Oklahoma, dated June 1 that would make it the first station in the nation to chart it, but it’s dated June 1 through July 8. I’m sure that “June” is a typo, and the chart is actually from the first week of July.)

“Ohio” debuted on the Hot 100 at #58 during the week of June 27, then went to #49 before debuting in the Top 40 at #30 on July 11. (That July 11 chart is the one used for the first episode of American Top 40 during the July 4 weekend; Casey referred to “Ohio” as “heavy.”) It went to #26 and then 18-17-14 (its peak, during the week of August 8), then 21-24 and out, gone from the Hot 100 for the week of August 29, 1970. Its swift arrival and departure is fitting, in a way. In its time, “Ohio” was not so much a song as it was a news story, and while the news cycle didn’t move as swiftly then as it does now, it still moved.

I used to be a political blogger and I remain an amateur historian, so we’re going there, on the flip.

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