(Pictured: the Fifth Dimension.)
I have been writing a lot about 1969 lately, and here I go again. (If you think this is overkill, wait until it’s 50 years since the 70s.) What follows are some odds and ends from Billboard magazine 50 years ago this week:
—KLAC and KMET-FM in Los Angeles are coping with an engineers’ strike, as DJs and newsmen who are members of AFTRA won’t cross the engineers’ picket line. The strike began one day before KLAC was set to change format from talk to contemporary middle of the road music, but parent company Metromedia went ahead with the change anyhow. The strike is over Metromedia’s desire to have KLAC and KMET DJs run their own turntables, as they do at some other Metromedia stations. Currently, engineers start the records at the DJs’ direction. The company stresses that engineers will not be losing their jobs. They will still run the control boards. Metromedia managers with on-air experience are filling in for the regular DJs, some having to be flown in from other cities. It’s a method that was used in New York City earlier this year during a brief strike at Metromedia’s WNEW and WNEW-FM. Billboard says that the subsitutes are being “told to keep their chatter to meaningful comments, and to know such production values as how long the introductions and endings of the cuts run.”
Fifty years later: the “record turner” remained a presence at major-market stations long after 1969, although as this item indicates, that person often was responsible for running the control board, too.
—Bobbie Gentry is working on Christmas songs in hopes that they can be packaged as part of a TV special. She is just about to leave Nashville for London, where she will tape six episodes of Bobbie Gentry Presents for the BBC. When she returns, she will finish her second album with Glen Campbell. Her future plans include a Spanish-language album; she’s already recorded a version of “Fool on the Hill” in Japanese for Capitol Records to release over there.
Fifty years later: Best I can tell, the Bobbie Gentry Christmas special never happened. Neither did a full-blown Christmas album, although a 1969 Capitol Records Christmas compilation marketed by tire company B. F. Goodrich includes her performances of “Away in a Manger” and “Scarlet Ribbons.” (Both appear on the new box set of Gentry’s music, released last year.) The Spanish album never came to pass either, although she did record a single featuring “I’ll Never Fall in Love Again” and “Here, There, and Everywhere” in Spanish.
—Buck Owens will star in a new TV show to premiere in June as a summer replacement for the Smothers Brothers. The show, titled He Hah, will showcase major country stars and be produced by former Jonathan Winters Show producers John Aylesworth and Frank Tiatt.
Fifty years later: Billboard got a lot wrong here. The show was titled Hee Haw, was hosted by Owens and fellow country superstar Roy Clark, and its producers were John Aylesworth and Frank Peppiatt, veteran writers and producers on both Canadian and American TV. The Laugh-In-inspired Hee Haw was successful enough during its summer run to get a regular slot on CBS, but it would last only two seasons on the network, becoming a victim of the “rural purge.” It returned in syndication in the fall of 1971 and ran for 22 seasons, often in an early-Saturday-evening timeslot. (It also got a brief late-90s reboot on the Nashville Network.) Everybody who was anybody in country music appeared on Hee Haw, and a number of the recurring comedy bits became iconic. Repeats of Hee Haw are still running on the RFD cable channel, and it’s surprising how well they hold up.
—Atop the record charts:
Rhythm and Blues Singles: “It’s Your Thing” by the Isley Brothers
Rhythm and Blues LPs: Cloud Nine by the Temptations
Classical LPs: Switched-on Bach by Walter Carlos
Hot Country Singles: “Galveston” by Glen Campbell
Hot Country LPs: Galveston by Glen Campbell, with Campbell’s Wichita Lineman at #2 and Gentle on My Mind at #5; Bobbie Gentry and Glen Campbell is at #9.
Easy Listening: “Galveston”
Jazz LPs: Fool on the Hill by Sergio Mendes and Brasil ’66
Hot 100: “Aquarius”/”Let the Sunshine In” by the Fifth Dimension
Top LPs: the original cast recording of Hair
Fifty years later: [We apologize, but the proprietor is unable to get his mind around this stuff being 50 years old. Regular programming will resume as soon as possible. —Ed.]
(Pictured: Rod Stewart in the studio, 1979.)
Here’s a look inside Billboard magazine for the week of February 24, 1979.
—In Bowling Green, Ohio, music store Schoolkids Records has launched a new program. Owner Thom Abbott says, “I try to deliver records like pizzas—within 30 minutes after the order is phoned in.” Abbott’s target customers are the students at Bowling Green State University. “The store-to-door gambit isn’t as decadent as it appears,” Billboard says. “Usually Bowling Green winters are so fierce that only musical die-hards battle the icy stretches between the campus’ main dorm complex and the record stores.” Customers pay a buck or two over the in-store price per delivered album, but Abbott offers a price break for orders of two or three albums.
—Toto’s first single, “Hold the Line,” is at #98 on the Hot 100 this week, its 21st week on the chart. A review of the band’s February 8 club debut at the Roxy in Los Angeles is highly complimentary of the group’s musicianship, as befits a group of LA’s top session cats, but it doesn’t compliment much else. Ed Harrison writes, “None of Toto’s songs have any guts, all lacking that certain depth that separates them from the countless other songs churned out each year. Fortunately, ‘Hold the Line’ has such an engaging melody, coupled with multiple lyrical and instrumental hooks, that radio programmers couldn’t help but take notice. The remainder of Toto’s material is average, relying on intentional commercial devices and trite lyrics.” Harrison concludes by saying, “Until the band grows, which it does show potential to do, it will remain only a lightweight outfit with marginal depth, despite any success it achieves.”
—A full-page display ad touts a contest sponsored by A&M Records, the grand prize of which is a $20,000 customized Styx van, “loaded inside and out,” with the band’s logo on the hood and album covers painted on the sides. (See it on page 18 of the PDF at the link above.) Other prizes include Toshiba 5310 Beta-format video units, $1500 home stereo systems, Styx tour jackets, and Styx picture discs. The contest is apparently aimed at retailers and not consumers.
—Among the top-grossing bills currently on tour: Rose Royce with the Bar Kays, Michael Henderson, and Evelyn “Champagne” King; Steve Martin with Steve Goodman; the tripartite Parliament, Funkadelic, and Brides of Funkenstein; Heart with Firefall; and the J. Geils Band with Southside Johnny and the Asbury Jukes. (Note from the present: sweet mama that last one would have been one hell of a show.) Heart is also doing some dates backed by Wet Willie. Santana is on the road with a couple of different openers, Sad Café and Seawind.
(Further note from the present: Sad Café, which featured future Mike and the Mechanics singer Paul Young, who is not the “Every Time You Go Away” Paul Young, was just ending a seven-week chart run in this week with “Run Home Girl,” a generic light-pop single. My college radio station had been playing the vastly different and far-better “Strange Little Girl.”)
—Bob James’ Touchdown is #1 on the Jazz LPs chart. “Bustin’ Loose” by Chuck Brown and the Soul Searchers is #1 on Hot Soul Singles. C’est Chic is atop the Soul LPs chart. C’est Chic was recently repackaged for release in the UK as Tres Chic, with a new cover and the addition of two earlier Chic hits, “Dance Dance Dance” and “Everybody Dance,” but Atlantic Records apparently did so without the consent of Nile Rodgers and Bernard Edwards. For that reason, the album has been withdrawn.
—Eddie Rabbitt’s “Every Which Way But Loose,” from the Clint Eastwood movie of the same name, is #1 on Hot Country Singles. The Gambler by Kenny Rogers is #1 on Hot Country LPs. “I Just Fall in Love Again” by Anne Murray is #1 on Easy Listening.
—Rod Stewart and the Bee Gees are dominating the main singles and album charts. “Do You Think I’m Sexy” is #1 on the Hot 100 for a third week, and “Tragedy” is #6, up from #19 last week after debuting on the Hot 100 at #29 the week before. Stewart’s album Blondes Have More Fun is #1 on Top LPs and Tape, but the Bee Gees’ Spirits Having Flown is up to #2 after debuting last week at #4.
Forty years ago this week, I was only a few weeks removed from my first real live radio shift the past December. I had a regular gig on the campus radio station, but all was not entirely rosy there. That story will appear here on Friday.
(Pictured: Nat King Cole, circa 1963.)
In past years, we have looked into Billboard magazine’s special Christmas charts for several years of the 60s and 70s. Now let’s take a look at the return of those charts in 1983, 1984, and 1985. In each year, charts for singles and albums have 10 places, which is a far cry from the huge charts from the 60s.
Charts for 1983 appear in the December 17 and December 24 issues. Bing Crosby’s “White Christmas” is #1 on the first Billboard Christmas chart since 1973; the next week, however, it’s taken out by Elmo and Patsy’s “Grandma Got Run Over by a Reindeer,” first heard at Christmas 1979 but getting its first nationwide release in ’83. Although they swap positions around, nine of the top 10 singles, all returning classics, are exactly the same in both weeks; “The Little Drummer Boy” by the Harry Simeone Chorale appears on the 17th but is replaced by Brenda Lee’s “Rockin’ Around the Christmas Tree” on the 24th. Same deal on the album chart: nine of the 10 are the same both weeks. Kenny Rogers’ Christmas Album is #1 on both charts. John Denver and the Muppets’ A Christmas Together appears only on the 17th and Chipmunk Christmas only on the 24th. The newest single on either chart is “Christmas in Dixie” by Alabama, released in 1982; the newest charting albums, by Kenny Rogers and Anne Murray, were released in 1981.
Charts for 1984 appear in the issues of December 15 and 22. New-for-1984 Once Upon a Christmas by Kenny Rogers and Dolly Parton is #1 both weeks; a new release Billboard lists as Christmas Mannheim Steamroller also appears both weeks, as does the new Christmas at Our House by Barbara Mandrell. But as in 1983, the charts are mostly static from week to week. Christmas With Placido by Placido Domingo shows up only on the 15th; it’s replaced by Frank Sinatra’s 1963 Christmas album on the 22nd. An oddity on the singles chart is that “The Christmas Song” by Nat King Cole appears only on the 15th; so does “Christmas Is the Time to Say I Love You” by Billy Squier, first released in 1981. They are replaced on the 22nd by “Another Lonely Christmas” by Prince and “Winter Wonderland” by Dolly Parton. “Grandma Got Run Over by a Reindeer” tops the singles chart both weeks.
Missing from the 1984 Christmas charts is Band Aid’s “Do They Know It’s Christmas.” Unlike other Christmas singles, it placed on the Hot 100. It debuted on 12/22/84 at #65, peaked at #13 on 1/19/85, and then spent four weeks on its way off the chart.
In 1985, Billboard publishes just one Christmas chart, in the December 21 issue. It includes two new albums, Alabama Christmas by Alabama, which is #1, and It’s Christmas All Over the World by New Edition. George Winston’s December, first released in 1982, makes its first Christmas chart appearance, and so does a 1983 album by Amy Grant. Two new singles appear in the Christmas Top 10: “Christmas Time” by Bryan Adams and “Santa Claus Is Comin’ to Town” by Bruce Springsteen. The rest of the slots on both charts are taken up by returning holiday hits.
I will give you one guess what the #1 Christmas single of 1985 was, and it wasn’t Bruce or Bryan.
There’s a spreadsheet with all of the years, titles, and chart positions here. Only 18 songs take up the 50 spots available on the singles charts, with five appearing on all five charts: “White Christmas,” “Grandma Got Run Over by a Reindeer,” “Blue Christmas,” “Jingle Bell Rock,” and “Happy Xmas (War Is Over).” Nat King Cole’s “The Christmas Song” and “Jingle Bells” by the Singing Dogs appear on four. Twenty-one albums take up the 50 spots. Only two appear on all five charts: A Christmas Album by Barbra Streisand and Christmas Portrait by the Carpenters. Kenny Rogers, Anne Murray, and Luciano Pavarotti appear on four.
In the 80s, it took a superstar event to crack the canon: Kenny and Dolly were that in 1984; Bruce Springsteen, and to a lesser extent, Bryan Adams and Alabama, were that in 1985. Although Christmas singles and albums were released and re-released every year, it often took a year or two before they got much sales or airplay traction, but they were likely to be swamped by music recorded a generation or two before. As a result, the charts remained very predictable every year, and their utility to broadcasters and retailers must have shrunk to almost nothing. It’s not surprising that Billboard‘s Christmas charts vanished for good after 1985.
(Note to Patrons: One Day in Your Life is in the midst of a Christmas post-o-rama, now and through Christmas Day, so stop over.)
Billboard did not publish a Christmas chart in its edition dated December 9, 1972. It did, however, include a feature we have visited before, “What’s Playing,” in which amusement operators list the records they are adding to their jukeboxes, or which are getting big play. From this we can get a modest idea of the demand for particular Christmas hits in that bygone year.
Jukebox operators were well-advised to stock up on Christmas warhorses: at C. S. Pierce Music in Brodhead, Wisconsin, Marie Pierce (someone known to some of my relatives since my mother is from Brodhead) reports big play for Brenda Lee’s “Rockin’ Around the Christmas Tree,” Bing Crosby’s “White Christmas,” and “Jingle Bell Rock” by Bobby Helms. Betty Schott of Western Automatic Music in Chicago says Brenda Lee and Bobby Helms are doing well on jukeboxes catering to the high-school crowd, as are Nat King Cole’s “The Christmas Song” and “Silver Bells” by Margaret Whiting and Jimmy Wakely, first heard at Christmas 1950. In Jefferson City, Missouri, Lloyd Grice of United Distributors reports patrons are playing four versions of “Blue Christmas” on his soul-music jukeboxes, by Elvis, Russ Morgan, Ace Cannon, and Ernest Tubb. He’s also seeing action on “Jingle Bell Rock” and Bing’s “White Christmas,” which has always done big business among soul and R&B audiences. In Madison, Wisconsin, Pat Schwartz of Modern Specialty Company is stocking country jukeboxes with Nat and Bing, but also with Dean Martin’s version of “Blue Christmas,” the Carpenters’ “Merry Christnas Darling,” and the Harry Simeone Chorale’s “The Little Drummer Boy.” Harry and Bing are pulling big coins on jukeboxes serviced by Lloyd Smalley of Chattanooga Coin Machine Company in Chattanooga, Tennessee, along with Elvis doing “If Every Day Was Like Christmas” and “Blue Christmas,” of course. In Fertile, Minnesota, in the northwestern part of the state, Duane Knutson of Automatic Sales Company has stocked his easy-listening jukeboxes with “White Christmas” and Johnny Cash’s version of “The Little Drummer Boy,” and is looking ahead by getting Guy Lombardo’s “Auld Lang Syne,” too.
A handful of ethnic novelties are turning up on a few Midwestern jukeboxes in December 1972. In Beaver Dam, Wisconsin, Ruth Sawejka of Coin-Operated Amusement Company has purchased “Yo Ho Hilda’s Christmas” by Jimmy Jenson, a Swedish dialect record that nicks the tune from “Up on the House Top.” Jim and Belle Stansfield of Stansfield Novelty Company of LaCrosse, Wisconsin, are adding Jenson’s version of the Yogi Yorgesson hit “I Yust Go Nuts at Christmas.” Jenson, known as the Swingin’ Swede, was a popular bandleader and restauranteur in Minnesota from the 1940s into the new millennium. He started doing Swedish dialect records after hearing Yorgesson in the 50s.
The Stansfields in LaCrosse and Robert Hesch of A&H Entertainers in Rolling Meadows, Illinois, are adding another Scandinavian dialect record, “Christmas Goose” by Stan and Doug. Stan Boreson was from Washington state and became a popular kids’ TV host in Seattle. In 1970, he and partner Doug Setterberg released Stan and Doug Yust Go Nuts at Christmas, which featured several versions of Christmas novelties first recorded by Yorgesson; “Christmas Goose,” which revolves around a mild double entendre, is a parody of Anne Murray’s “Snowbird,” and it scores extra points for rhyming “goose” with “obtuse.”
(The popularity of Scandinavian dialect records in the Upper Midwest should not surprise you. Everybody who did them performed in the shadow of Yorgesson, the Elvis of the form. I wrote about him in 2008.)
Christmas music is not the only thing jukebox patrons want in December, of course. And so the operators are stocking big Top 40 hits, or hits-to-be: Marie Pierce reports “I Wanna Be With You” by the Raspberries, “Keeper of the Castle” by the Four Tops, “Been to Canaan” by Carole King, the Partridge Family’s “Looking Through the Eyes of Love,” “Long Dark Road” by the Hollies, and “Sitting” by Cat Stevens. Also on her list: “I Got a Bag of My Own” by James Brown and “Angel” by Rod Stewart. Betty Schott is spanning genres with Bread’s “Sweet Surrender,” “Rock and Roll Soul” by Grand Funk Railroad, “Superfly” by Curtis Mayfield, and Three Dog Night’s “Pieces of April.” Going similarly wide, Helen Franklin of Schaffner Music Company of Alton, Illinois, reports “Ventura Highway” by America, Mott the Hoople’s “All the Young Dudes,” and Cher’s version of “Our Day Will Come.”
Operators knew the desires of the audiences in the places where their boxes were located; restauranteurs and bartenders could help them tailor their selections. Programming an analog jukebox was both science and art, but certainly both hit and miss as well.
(Pictured: Delaney and Bonnie, bigger with the kids than you might expect.)
Let’s look inside the edition of Billboard dated October 17, 1970, to see what we can see.
Three-month-old syndicated radio show American Top 40, now heard on 30 stations, has sold all of its national commercial inventory for the next six weeks to MGM Records. The label intends to use the buy to promote 10 of its artists: Eric Burdon, Bill Medley of the Righteous Brothers, Bobby Bloom, Michael Parks, the Mike Curb Congregation, Hank Williams Jr., the Osmond Brothers, Richie Havens, Lalo Schifrin, and Heintje, an 11-year-old singer from the Netherlands. (An MGM ad elsewhere in the magazine says that Heintje is 14, however.) A different story details another new media venture that’s gaining popularity: the Chicago-based TV series Soul Train. Host Don Cornelius estimates that the show has 100,000 to 150,000 viewers daily at 4:30 in the afternoon. He hopes that the show will soon be picked up for syndication across the country.
Headline toward the bottom of page 8: “Janis Joplin, Queen of Rock, Dies of Overdose of Drugs.” The lede: “Janis Joplin, whose personal philosophy was to do everything possible to enjoy life, was found dead Sunday [(10/4)]. She had been working on her third Columbia album.”
Another headline: “‘What’s Playing’ on Jukebox Often Differs From Charts.” “On any given week,” the magazine reports, “the ‘What’s Playing?’ [chart] reflects the tastes of the record playing public, which generally differ greatly from the record buying public.” Jukebox operators report figures based on the target audience where jukeboxes are located, including teen, adult, and soul. In a recent week, an operator in Glendale, California, said that the most popular songs among her teenaged jukebox patrons were “Soul Shake” by Delaney and Bonnie, “Lola” by the Kinks, and “Funk 49” by the James Gang, none of which was currently placed higher than #40 on the Hot 100. Records often achieve jukebox popularity before they make any noise on other charts; similarly, records often remain hot on jukeboxes after they’ve cooled on the charts.
On the Best Selling Tape Cartridges chart, Cosmo’s Factory by Creedence Clearwater Revival and Chicago lead both the 8-track and cassette listings. Other top tapes include Closer to Home by Grand Funk Railroad, Joe Cocker’s Mad Dogs and Englishmen, and the Woodstock soundtrack. Best Selling Jazz LPs is led by Miles Davis and Bitches Brew. Isaac Hayes has two albums in the jazz Top 10, The Isaac Hayes Movement and Hot Buttered Soul. The Isaac Hayes Movement is also riding high on the Best Selling Soul LPs chart, along with releases by the Jackson Five, Diana Ross, and the Four Tops. Cosmo’s Factory and Mad Dogs and Englishmen are also on the Soul LPs chart. On the Top LPs chart, Cosmo’s Factory is #1 again this week, but Abraxas by Santana makes a strong move to #2 from #8. The new Rolling Stones album, the live Get Yer Ya-Yas Out! debuts at #10.
The Best Selling Soul Singles chart has the same four songs at the top as last week: the Jackson Five’s “I’ll Be There,” “Ain’t No Mountain High Enough” by Diana Ross, “Express Yourself” by Charles Wright, and “Still Water (Love)” by the Four Tops. The #1 song on the Hot Country Singles chart is “Sunday Morning Coming Down” by Johnny Cash. Two songs in the country Top 10, “It’s Only Make Believe” by Glen Campbell and “Snowbird” by Anne Murray are major pop crossovers. They sit at #2 and #8 on the Easy Listening chart respectively, where the Carpenters’ “We’ve Only Just Begun” is #1. Two new songs have blasted into the Easy Listening Top 10: “Sweetheart” by Engelbert Humperdinck is at #3 from #17 last week, and Shirley Bassey’s cover of the Beatles’ “Something” is at #7 from #22 last week.
On the Hot 100, “I’ll Be There” hits #1, knocking “Cracklin’ Rosie” by Neil Diamond to #2. “Green Eyed Lady” by Sugarloaf is #3. James Taylor’s “Fire and Rain” is the lone new entry in the Top 10 at #10. The hottest song within the Top 40 is “Indiana Wants Me” by R. Dean Taylor, up 11 spots to #11. The highest debut in the Top 40 is “God, Love, and Rock & Roll” by Teegarden and Van Winkle at #30. The highest debut on the Hot 100 is “Heed the Call” by Kenny Rogers and the First Edition at #67; “Tears of a Clown” by Smokey Robinson and the Miracles is new at #68.
And finally: a small display ad in the magazine offers wristwatches bearing the faces of Bullwinkle J. Moose or Dudley Do-Right “in five mind-boggling colors! Spiffy up your wrist with this happy watch!” Send $12.95 plus shipping and handling to Jay Ward Productions, Hollywood, California.
Among the front-page headlines: “Disco Music Sounds Undergoing Changes.” Labels and artists have been stung by accusations that “emphasis on basic rhythms and marginal lyric content were mindless and insulting to the intelligence of audiences.” As a result, Billboard contributor Tom Moulton says, “The disco record is no longer all rhythms and a bunch of drums. . . . Consequently there is no longer a single, readily identifiable disco beat but a kaleidoscope of sounds that are melodic and danceable.” Among the artists mentioned as trendsetters of the new sound: Dr. Buzzard’s Original Savannah Band, the Bee Gees, Lou Rawls, Donna Summer, Double Exposure, and Vicki Sue Robinson.
(Commentary from the present: Moulton’s contention interests me, as I’ve always believed disco, at least the stuff on the radio, was more interesting pre-1977, and that as time went by, the beat got more mindless, not less.)
The magazine’s Disco Forum includes a feature on the growing popularity of mobile discos, which can take the party anywhere. Twenty-one-year-old Bill Alan operates Apollo Disco, a mobile in Minneapolis, and says that when he entertained at a nursing home, he brought his parents’ Longines Symphonette albums, but the residents didn’t want to hear Dorsey, Dean Martin, or Sinatra. “They wanted Earth, Wind and Fire and Van McCoy,” Alan recalls.
Former CBS Records executive Clive Davis has been fined $10,000 for tax evasion but will not receive jail time. Two men and a woman have been arrested in the kidnapping case involving producer Lou Adler, who was held for eight hours early in September. A report by the White House Office of Telecommunications Policy says radio broadcasters could lose up to 15 percent of car listeners to “CB crosstalk” by 1980. The study also predicts chaos if the FCC goes ahead with plans to expand the citizens band without increasing its ability to regulate use of the new channels. A Christian music publisher is suing five Catholic churches in the Chicago archdiocese for using pirated hymnals. In recent years, publishers have stepped up efforts to collect royalties from individual churches, especially since the reforms of Vatican II changed the primary language of the Catholic mass from Latin to English.
A canvas of retail stores in the northeastern United States reveals that despite a standard list price of $6.98, albums are most frequently sold for $3.99. Stores based in malls and discount or department stores tend to sell at higher prices than retail record and tape stores and freestanding stores not connected with a mall. Prices in the New York and Philadelphia metro areas are the highest. The average price across the region is $4.94, although some stores in outlying areas sell $6.98 albums for as little as $2.99. In a related story, retailers would like labels to release more product at a price point of $4.98.
In the Marketplace section, readers can buy spray incense and velvet posters, FCC exam study guides for first- and second-class operator’s licenses, and several different radio comedy services. One guy advertises his service by saying, “Absolutely none can top my original, sophisticated material. Make listeners think you actually finished high school!”
On the record charts, the most-added singles on playlists across the country are “Muskrat Love” by the Captain and Tennille, “A Dose of Rock and Roll” by Ringo Starr, and the Bee Gees’ “Love So Right.” Albums getting the most adds to station playlists are Long May You Run by the Stills-Young Band, Year of the Cat by Al Stewart, Modern Music by Be Bop Deluxe, and Robin Trower’s Long Misty Days. Most-requested albums at radio stations are Linda Ronstadt’s Hasten Down the Wind, One More From the Road by Lynryd Skynyrd, and self-titled albums by Boston and the Funky Kings.
Rack jobbers report that 12 of the nation’s 40 best-selling albums are compilations of hit singles; Their Greatest Hits 1971-1975 by the Eagles and Greatest Hits by War rank in the Top 10 of all albums sold. The jobbers’ best-selling albums are Frampton Comes Alive! and Fleetwood Mac. Frampton Comes Alive! is #1 on Top LPs and Tape; Silk Degrees by Boz Scaggs is #2. “Play That Funky Music” by Wild Cherry leads the sales chart for singles; it’s also #1 on the Hot 100 for a second week. “I’d Really Love to See You Tonight” by England Dan and John Ford Coley holds at #2, while Walter Murphy’s “A Fifth of Beethoven” and “Disco Duck” by Rick Dees make strong moves to #3 and #4. Both will eventually reach #1, Murphy next week and Dees the week after that.