(Pictured: Lee Marvin in a moment of reflection, 1967.)
Although I am not sure he is especially well-remembered today, Lee Marvin was one of Hollywood’s great bad-asses. You can spot him in famous 50s films including The Wild One and Bad Day at Black Rock, but at the same time he was doing lots of television, including a regular role on M Squad from 1957 to 1960. In 1965, he won a Best Actor Oscar for Cat Ballou. He played cowboys, cops, soldiers, good guys, and bad guys with a stern, thick-lipped face and a voice that originated somewhere deep below ground. And it is the sound of that voice that has brought Lee Marvin to your notice and mine today.
In 1968, Marvin turned down a role in The Wild Bunch in favor of the lead in a version of the 1951 Lerner and Loewe western/musical Paint Your Wagon, which also starred Clint Eastwood and Jean Seberg. It occasionally appears on lists of Hollywood’s most infamous bombs. Although it was one of the top-grossing movies of 1969, Paramount Pictures never made a dime on it. Its script was adapted by Paddy Chayefsky and its songs arranged by Nelson Riddle, but critics disliked it. Young moviegoers disdained it, at the moment in history when both westerns and old-fashioned musicals were falling out of style.
Marvin plays Ben Rumson, a prospector for gold in California who has loved and lost, and by the latter stages of the film he is musing about all that has happened to him, and what made him do it. As he walks through the rain, he sings a song called “Wand’rin’ Star.” In the UK, where Paint Your Wagon played in one London theater for a solid year-and-a-half, “Wand’rin’ Star” became an unlikely hit, eventually spending three weeks at #1 on the official singles chart in March 1970, keeping the Beatles’ “Let It Be” from the top spot.
(Digression: “Wand’rin’ Star,” which was backed by Clint Eastwood singing another Paint Your Wagon song, “I Talk to the Trees,” made #6 in the UK for the entire year 1970. As Tom Ewing wrote in his series Popular, about every UK #1 single, “The singles chart at this point was clearly still wide open, deserted by emergent ‘album acts’ and without much grip on a younger teen audience.” As a result, the British charts in this period are full of novelties, recorded by everyone from macho movie stars to singing soccer players.)
Although the Paint Your Wagon movie soundtrack managed to make #28 on the Billboard album chart in a 56-week run, “Wand’rin’ Star” was not a hit in America. The vast majority of its chart action at ARSA is from the UK and Australia. Only five American stations in that database charted it; KNUZ in Houston was the most influential station to do so, ranking it as high as #30 in November 1970.
Marvin sang “Wand’rin’ Star” himself, refusing to be dubbed. He strains to get most of the notes, and the impossible depth of his untrained voice is incongruous opposite the old-fashioned Hollywood mixed chorus backing him. Marvin’s Paint Your Wagon co-star, Jean Seberg, famously described it as the sound of rain gurgling down a pipe; “Wand’rin’ Star” was also described as the first 45 ever recorded at 33 1/3. I find a certain weird charm in it, but your mileage may vary.
After Paint Your Wagon, Lee Marvin remained a familiar presence in movies throughout the 1970s. By the end of the decade, he was embroiled in the famous “palimony” case, in which his live-in companion, Michele Triola, sued for spousal support and community property after the breakup of their five-year relationship, even though they had never been legally married. The case, filed in 1976, wasn’t settled until 1979, when a court ruled that Marvin was required to make only a $104,000 payment and not give up one-half of his net worth—a sum of $1.8 million—which Triola was seeking. (The smaller payment was eventually overturned on appeal.)
By the dawn of the 80s, Marvin was only in his mid 50s, but his career momentum slowed. He appeared in a handful of films and TV roles after that, his last one in Delta Force alongside Chuck Norris in 1986. His health failed at the end of that year, and he died in August 1987 at age 63. Lee Marvin had been a Marine and was wounded while serving in the Pacific during World War II, so he is buried at Arlington National Cemetery.
Do I know where hell is?
Hell is in hello
Heaven is goodbye forever
It’s time for me to go
I was born under a wand’rin’ star
A wand’rin’, wand’rin’ star
6 thoughts on “Heaven Is Goodbye”
This made me go look up Michelle Triola. Even though she and Lee Marvin never married, she legally changed her name to Michelle Triola Marvin. That was a month before he dumped her and married his childhood sweetheart. After Lee, she took up with Dick Van Dyke—living with him for 30 years before her death in 2009.
“As a result, the British charts in this period are full of novelties…”
To some degree they still are. Since the UK charts are traditionally sales-only, they tend to much more unpredictable: parodies, kid’s characters, songs popularized in commercials. Both the Teletubbies and Bob the Builder have topped the chart, as have children’s choirs and a sausage themed parody of “We Built This City”(!!).
Paint Your Wagon may have been a bomb, but it was a big hit in our house. My dad was a fan of musicals (mostly Oscar/Hammerstein, but others as well), and we had all the usual movie musical soundtrack albums, including “Paint Your Wagon”, which he took us to see, and we all loved it. I was really surprised as an adult to learn that it is considered to have basically killed the old-style Hollywood musical. To me, it’ll always be a classic.
I was equally shocked to learn a few years ago that “Wand’rin Star” by Lee Marvin was a huge hit single in the UK. Never would have imagined it would have that kind of appeal.
And my uncle Bill could do a mean Lee Marvin “Wand’rin Star” imitation. Note perfect!
“It occasionally appears on lists of Hollywood’s most infamous bombs. Although it was one of the top-grossing movies of 1969, Paramount Pictures never made a dime on it. Its script was adapted by Paddy Chayefsky and its songs arranged by Nelson Riddle, but critics disliked it. Young moviegoers disdained it, at the moment in history when both westerns and old-fashioned musicals were falling out of style.”
I dunno, JB. I’m not sure how the seventh-biggest movie of the year, $14.5 million at the box office, $100,000 out of sixth place and only half a million out of making the top five could be a bomb. I get that it was a money-loser for the studio, but that’s their fault—they let the budget double from $10 million to $20 million (the same could be said for “Hello, Dolly!”—fifth place at $15 million but unprofitable).
In 1969, “Paint Your Wagon” was the sixth highest-grossing film Paramount had ever made. Audiences showed up—and not just opening weekend before word of mouth killed it, but for weeks and in some cases, months. That sounds to me like a hit with adults, in a year when “the kids” had their own movie (“Easy Rider” grossed $16.9 million and came in fourth) and the critics theirs (“Midnight Cowboy” was third with $20.5 million). .
The year was 1985. Los Angeles, CA. I was parked on Sunset Blvd. and started to pull out onto the street. Just then I heard a car honking behind me and it drove around me. I glanced at the
driver of that old paint ‘n’ primer beater car, and IT WAS LEE MARVIN !!!!! I was 10 feed away from the guy. It was him. He waved and drove on by.
And that is my Lee Marvin story.
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