(Pictured: Billy Crystal and Gregory Hines with Michael McDonald in his video for “Sweet Freedom.” I’ve used the pic before, but I’m bringing it back so you can see yet again the worst Chicago Bears knockoff jersey in the world.)
This is the second installment of various ruminations inspired by the American Top 40 show from August 16, 1986.
31. “Don’t Forget Me (When I’m Gone)”/Glass Tiger
22. “One Step Closer to You”/Gavin Christopher
Listing these songs separately is a distinction without a difference; they are remarkably similar. If I’m recalling correctly, my radio station got rush reservice on the automation tapes that announced “One Step Closer to You” as being by Christopher Gavin. But that too is a distinction without a difference.
30. “Walk This Way”/Run-DMC. Other rap records made the Hot 100 (“The Message,” “The Breaks,” “Rapper’s Delight,” “Planet Rock”), and Blondie’s “Rapture” had been to #1, but Run-DMC was the first rap act to crack the Top 40. While rap was growing in popularity in 1986, I suspect that a lot of people heard “Walk This Way” as a novelty remake and never bought another rap record. Given, however, that within the next decade, rap and hip-hop would become the dominant form of pop music, its success is one of history’s pivot points.
27. “Man Size Love”/Klymaxx
12. “Sweet Freedom”/Michael McDonald
Everybody’s got one obscure movie they love beyond all others, and mine is Running Scared, a buddy comedy featuring the amazing chemistry of Billy Crystal and Gregory Hines, playing Chicago cops who want to quit and move someplace warm, but end up saving Crystal’s ex-wife from a drug dealer instead. (Crystal to the villain, played by Jimmy Smits: “You hurt that lady and you will never be dead enough.”) Running Scared never got above #6 in the weekly box office rankings that summer, but four songs from its soundtrack charted, and these two went into the Top 15.
24. “Stuck With You”/Huey Lewis and the News
23. “Yankee Rose”/David Lee Roth
Of all the Huey Lewis records in the world, “Stuck With You” is the Huey-est. Of all the David Lee Roth records in the world, “Yankee Rose” is the crappiest. (The opening segment of the video contains something to offend almost everybody, even before the song starts.)
21. “Invisible Touch”/Genesis
16. “Danger Zone”/Kenny Loggins
13. “Sledgehammer”/Peter Gabriel
9. “Take My Breath Away”/Berlin
4. “Higher Love”/Steve Winwood
2. “Glory of Love”/Peter Cetera
Any one of these might qualify as the song of the summer for 1986, and I don’t think any of them have been off the radio since then. But on the other hand:
19. “All the Love in the World”/The Outfield
18. “Baby Love”/Regina
15. “Friends and Lovers”/Gloria Loring and Carl Anderson
10. “The Edge of Heaven”/Wham
8. “Rumors”/Timex Social Club
5. “We Don’t Have to Take Our Clothes Off”/Jermaine Stewart
It’s strictly via the eyeball test, but it seems to me that a lot of big hits from 1986 (and not just these) disappeared without a trace as soon as they dropped out of current rotations. Apart from Casey reruns, I am pretty sure nobody has played any of these songs on the radio since 1986. “The Edge of Heaven” was Wham’s sixth Top-10 hit in two years, and their last; they would chart one more time as Wham before George Michael became exclusively a solo act.
6. “Venus”/Bananarama. I cannot remember what I thought of this record in 1986, when I was the morning jock and program director of a Top-40 station. I can tell you now that “Venus” was the kind of record that made your station sound hot and hip, and as a soundtrack for summer fun, you couldn’t do better.
3. “Mad About You”/Belinda Carlisle. I can’t remember how I felt about this in 1986 either, but hearing it again the other day all I could think was, “Holy smokes, this is the best thing on the show.”
1.”Papa Don’t Preach”/Madonna. Casey says that “Papa Don’t Preach” is Madonna’s fourth #1 hit, which ties her with Olivia Newton-John for second place all-time among female artists behind Diana Ross. That’s quite a statistic, from the pre-Mariah, pre-Whitney, pre-Janet, pre-Rihanna world. That Madge accomplished it in less than two years makes it even more impressive. Also impressive: her creative development since her first chart hit in 1983. “Papa Don’t Preach” takes her a long way from the chirpy boy toy who made “Holiday” and “Like a Virgin”—but she had even further to go.
As did we all. Although, as I wrote in the earlier installment, not all of us knew it at the time.