Eighth-Grade Rage

Embed from Getty Images

(Pictured: Cheech Marin and Tommy Chong.)

Comedy albums sold decently well in the 60s and 70s, but only a handful of acts sold ’em like rock stars. Bob Newhart hit #1 twice between the summer of 1960 and the spring of 1961 with his Button-Down Mind albums. In 1965, the ethnic comedy album You Don’t Have to Be Jewish went to #9; a few months later, Welcome to the LBJ Ranch!, which featured the actual voices of Lyndon Johnson, Everett Dirksen, Robert Kennedy, and other prominent political figures mashed up for comedic purposes, went to #3. (It was held out of the #1 spot around Christmastime by the Tijuana Brass album Whipped Cream and Other Delights and the soundtrack from The Sound of Music.) Impressionist David Frye’s I Am the President, featuring his Nixon impersonation, made the Top 20 in 1970. Richard Pryor scored several substantial hits on the album chart between 1974 and 1982 including the #12 Is It Something I Said? in 1975. Eddie Murphy: Comedian was double-platinum in 1984 and topped out at #35. (Late update: Bill Cosby belongs on this list too; see this comment below.) But apart from Newhart, nobody rode the charts higher than Cheech and Chong. In 1972 and 1973, their albums Big Bambu and Los Cochinos both made #2 on the Billboard 200 album chart.

In the fall of 1973, Cheech and Chong’s “Basketball Jones,” from Los Cochinos, became a monster single. It first hit the radio in September and peaked at #15 on the Hot 100 in October, although it was a Top-10 hit in Detroit, Miami, Milwaukee, and some smaller cities. It was probably biggest of all in Chicago, where it went to #2 at WLS and WCFL and #1 on FM rocker B96. (There was an animated video that went with it, which I’m not going to link to. No good version exists online, and the video’s casual racism and sexism, which was no big deal 45 years ago, is pretty offensive now.)

On November 24, 1973, one week after “Basketball Jones” dropped off the Hot 100, Cheech and Chong charted again. Despite the success of Los Cochinos, the duo’s label chose to take another run at radio airplay with “Sister Mary Elephant” from Big Bambu. It had been released as a single the year before but went nowhere (except at WDRC in Hartford, where it was their #1 request for a while). But this time, in my town, “Sister Mary Elephant.” became the hottest thing to hit the eighth grade. I bought it, most likely sometime in December as it headed to the top in Chicago (#3 on WLS, #2 on WCFL) and #24 on the Hot 100, and (I think) the last spoken-word comedy cut to become a significant hit single. But by then, lots of people I knew were talking about the Big Bambu album. I borrowed a copy from a friend who had one, and then went out and got one of my own.

In 1973, parents of small-town eighth-graders wanted their kids to grow up right, but they didn’t give a damn what we listened to. I suspect now that if they’d paid attention to Big Bambu, they’d have confiscated it. Take, for example, “The Bust,” in which a couple of dealers flush their stash, a radio spot in favor of the legalization of marijuana featuring a stoner named Ashley Roachclip, or a game show called “Let’s Make a Dope Deal.” At the time, however, it never occurred to me, or to anybody else in the eighth grade, that adults would have the slightest interest in the frivolous crap we liked.

Cheech and Chong’s most successful single was yet to come: “Earache My Eye,” which went all the way into the Billboard Top 10 (and to #1 on WLS and at KHJ in Los Angeles) in the fall of 1974. The album containing “Earache My Eye,” Cheech and Chong’s Wedding Album, would go to #5. The duo would hit the singles chart five more times; “Framed” and “Bloat On” would both peak at #41. Their movie career began in 1978 with Up in Smoke, and they were fairly reliable box-office performers for the next seven years. Their record-chart career ended with “Born in East L.A.,” a Bruce Springsteen parody, in 1985.

Although Big Bambu‘s content would give parents and school officials an attack of the vapors today, it’s doubtful that it warped anybody I knew. To us, it was just funny. It certaintly didn’t make a stoner out of me. The giant-size rolling papers that came with the album, featuring a picture of Cheech and Chong, are still inside my copy today.

(Extensively rebooted from a post first appearing in 2004.)

9 responses

  1. I can only wonder what a 1965 comedy album called You Don’t Have To Be Jewish sounds like. I don’t think I’ll seek it out — it sounds like pure shtick. Shtick in excelsis. Shtick plus ultra.

    You drove me to the Google, where I was surprised to find out that the Firesign Theatre never got an album higher than No. 50, and only placed two in the Top 100. Perhaps they were too cerebral (i.e., too few belly-laughs).

  2. Perhaps they didn’t chart high, but didn’t Bill Cosby’s albums from the early 1960s sell lots of copies and win Grammy’s every year?

    1. Brian: I think this was a (very rare) lapse on JB’s part.

      Cosby had three LPs go top 10 (Wonderfulness, Revenge—which hit #2—and To Russell, My Brother, Whom I Slept With). Wonderfulness was platinum, Revenge and “Russell” were gold, and his burst of popularity in 1966/67 dragged his first three albums, which peaked at 21, 32 and 19, respectively, into platinum status for the first two and gold for the third (“Why Is There Air?”).

      Also, 200 MPH, which peaked at #16, went gold and was his last tie in the Top 30, although 1969’s “The Best of Bill Cosby”, which only made #51, went platinum over the long haul.

      1. I wouldn’t call it a rare lapse. *Another* lapse, perhaps. Omitting Bill Cosby was an oversight, and fairly significant. Thanks, Mike, for getting the numbers I missed.

      2. JB: And we both overlooked George Carlin, who managed four gold albums from 1972 to 1974 (FM & AM, Class Clown, Occupation: Foole and Toledo Window Box—the first and last of which made it into the Top 20).

  3. I was also in eighth-grade when this stuff hit. Bought both Los Cochinos and Big Bambu and most of the drug and sex humor went over my head. Talk about naïve, I threw away the giant rolling paper at the time; I didn’t know what it was. I also remember a class-mate explaining what a “body crab” was (his older sister told him).

    To add to the duo’s heavy presence on WLS, “Sister Mary Elephant” was prominent in the station’s in-house Dickie Goodman styled break-in record (issued as a flexi-disc) “Press My Conference.”

  4. I’ll quietly mention Vaughn Meader. His 1962 album “The First Family” was No. 1 in Billboard for twelve weeks and won two Grammys, for Comedy Album and Album of the Year.

    1. I should add that a follow-up album went to No. 4.

      1. I should add that volume 1 can still be found in any thrift outlet that carries “vinyls” (as the kids say), right next to “Whipped Cream and Other Delights” (mentioned above).

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

%d bloggers like this: