(Pictured: Marilyn McCoo fronts the Fifth Dimension, 1972.)
The American Top 40 show from March 3, 1973, was a recent weekend repeat. Since I am doing an ongoing series this year about 1973 (basic theme: “just what was it about that year, anyhow?”), here are some notes:
40. “Soul Song”/Joe Stampley. For a handful of years in the middle of the 1970s, Joe Stampley was a fixture on the country charts. He’d hit #1 on the country chart three times between 1973 and 1976, most famously with “Roll on Big Mama” in 1975. “Soul Song” had gone to #1 in January and would manage to squeak to #37 on the Hot 100. His country twang, which is not all that soulful, made for a big ol’ train wreck with the next song in the countdown.
39. “Good Morning Heartache”/Diana Ross. A torchy, jazzy number from Lady Sings the Blues, in which Miss Ross gets her Billie Holiday on.
37. “Living Together, Growing Together”/Fifth Dimension. This marks a historic moment: the final Top 40 week in the career of the Fifth Dimension, a group responsible for a number of straight-up classics over the preceding six years, including “Up Up and Away,” “Wedding Bell Blues,” and “Aquarius,” along with the less-classic-but-still-mighty-good “One Less Bell to Answer” and “Last Night I Didn’t Get to Sleep at All.” The Burt Bacharach/Hal David song “Living Together, Growing Together” is not a classic; it’s bland inspirational cheese that makes the Johnny Mann Singers sound like James Brown. (See below.)
32. “Give Me Your Love”/Barbara Mason. It doesn’t happen often, but I occasionally hear a song on these AT40 repeats that I can’t recall hearing before. “Give Me Your Love” is one of them. It would eventually peak at #31, Mason’s biggest hit since “Yes I’m Ready” in 1965. If it wasn’t remixed or re-released in the disco era, it should have been; the ingredients are in the test tube.
27. “I Got Ants in My Pants (And I Want to Dance)/James Brown. One of the all-time-great Casey introductions: “Here’s a man whose music is as recognizable as Lawrence Welk. A-one, two, three”—after which the JBs come in on the fourth beat and the joint starts jammin’.
25. “Why Can’t We Live Together”/Timmy Thomas. In 2003, Steve Winwood covered “Why Can’t We Live Together” on his album About Time, and it’s fabulous.
22. “Break Up to Make Up”/Stylistics. The highest-debuting song on the 40 this week, zooming in from #42 the week before, another ridiculously beautiful Thom Bell production.
16. “Jambalaya”/Blue Ridge Rangers and 14. “Do It Again”/Steely Dan. In what universe does something as sonically and lyrically obtuse as “Do It Again” belong in the same quarter-hour of radio with a Louisiana hoo-rah sung in John Fogerty’s screechy twang? And it’s not just that they clash with each other. Each record sounds out of place compared to most of what surrounds them (see also #8, “Also Sprach Zarathustra” by Deodato, and #2, “Dueling Banjos,” by Weissberg and Mandel). I’m not saying that’s a bad thing, but still.
15. “Oh Babe What Would You Say”/Hurricane Smith. This show is from the week I turned 13. I had already noticed the interesting ways in which certain girls were becoming curvy and/or bumpy, and the physical processes that happen to 13-year-old boys were beginning to happen to me. But I was not like some of my male classmates, who were obsessed with girls at the grossest and most physical levels, and who talked about it all the time. I probably engaged in those conversations with the guys sometimes, even though I couldn’t really imagine the physical part of love happening to me just then. Like Hurricane Smith, what I wanted for the most part was simply the opportunity to make some pretty girl happy. But I kept that to myself.
10. “Don’t Expect Me to Be Your Friend”/Lobo and 3. “Last Song”/Edward Bear. Enough with the songs about unrequited love already.
1 “Killing Me Softly With His Song”/Roberta Flack. Casey says that Roberta Flack is the first female artist to hit #1 with back-to-back releases since Connie Francis and Brenda Lee in 1960, which is a pretty good piece of trivia.
During the previous week’s show, Casey and the AT40 staff predicted that “Killing Me Softly” would hold at #1 this week. They make the same prediction this week, and they will be right again. The song will eventually spend six weeks at #1, and it will be over three years—not until Rod Stewart’s “Tonight’s the Night” at the end of 1976—before another record stays at the top as long.
5 thoughts on “Living Together, Growing Together”
“Living Together, Growing Together” was not just the last Top Forty hit for the Fifth Dimension, but the last Top Forty hit for Bacharach and David. As you can hear, the partnership sounds like it was totally out of gas.
I still don’t get the popularity of “Dueling Banjos.” A couple of novelty spins here and there is one thing; No. 2 is another.
Somebody smarter than me would have to explain the rage for novelty records from about 1972 through about 1975. Maybe it was the end of the postwar economic boom and the coming of leaner times that made people crave escapism. Or maybe it was thinning ozone. But we got “Mr. Jaws,” a rock version of the Lord’s Prayer, “Eres Tu,” “My Girl Bill,” and other records that were popular beyond all common sense.
“Living Together, Growing Together” was from the disastrous musical remake of Lost Horizon, widely regarded as one of the worst movies ever. Part of this song disappeared from the movie due to a poorly received dance section, and the only other record from the film to make the Billboard charts was the weak, wimpy title tune, also from Bacharach and David. I also remember when Rhino Records compiled its Fifth Dimension greatest hits LP, this was conspicuous in its absence as their only top 40 hit not to make the cut. Incidentally, the Fifth Dimension performed the song on a Bacharach TV special as well.
“In what universe does something as sonically and lyrically obtuse as “Do It Again” belong in the same quarter-hour of radio with a Louisiana hoo-rah sung in John Fogerty’s screechy twang?”
That’s what I love about listening to these AT40 shows from the 70s. The type of music you’ll here is all over the place.
As for the increase in novelty songs during that era, maybe little kids were buying (or having their parents buy) more records than before? I remember being really excited when I got my copy of Dickie Goodman’s “Mr. Jaws” at a very young age.