(Pictured: Rita Coolidge.)
(There is a new post at One Day in Your Life today, and there will be another new one on Sunday.)
“Confess your unpopular opinion” is a hashtag game people play on Twitter sometimes. What follows are several potentially unpopular opinions, inspired by the American Top 40 show from June 25, 1977.
Shaun Cassidy’s version of “Da Doo Ron Ron” is far better than you remember. It helps to hear it in its natural habitat, on the radio, amidst jocks and jingles. (Or to remember having heard it that way.) It’s got one of those introductions that requires a self-respecting DJ to bring it: you don’t just read the weather forecast over something that hot.
One does not listen to Barry Manilow for the words, but one should. “Looks Like We Made It,” a future #1 hit with lyrics by Will Jennings, is a short story in three minutes: old lovers meet for the first time in years, claiming they’re pleased to have gotten over one another and fallen in love with others, only to realize that the two of them aren’t past their old feelings at all. A year later, Manilow would add another, more devastating chapter on “Even Now,” a #19 hit with lyrics by Marty Panzer: what sounds like the same guy, long married now, spending every day longing for the woman he really loves, suffering eternal romantic damnation. Barry Manilow, people. Who knew?
The Rita Coolidge version of “Higher and Higher” is a great record. The key to hearing it that way is not thinking about the original. It may be easier for me than it is for some people; when this was a hit, I’d didn’t know Jackie Wilson’s joyous, electrifying version. Compared to that, anybody would sound flat. But Rita’s version was arranged by Booker T. Jones, who doesn’t make junk, and he does some great stuff with it, including the interplay between the guitarist and the drummer and the way he sweeps a string section in from nowhere. But the best part (if it’s not his own solo on the organ) is the way he handles the key changes. Of course “Higher and Higher” should get higher and higher.
The Bill Conti/original soundtrack version of “Gonna Fly Now” from Rocky is inferior to Maynard Ferguson’s version. Listen to the Ferguson version, which peaked at #28, and you’ll hear it. Conti’s version is contemporary enough, although whoever arranged the chorus vocals made them sound stiff and white and weird. Ferguson’s is square in the pocket for 1977, with a disco beat, sassy singers, and Ferguson’s way-up-there trumpet soloing. (He played a gig at my college sometime around 1979, and “Gonna Fly Now” nearly blew the roof off.) Nevertheless, it was Conti’s version that would get to #1, having gone 7-6-5-4-3-2-1 to reach the top, 40 years ago this week.
A couple of other observations about the 6/25/77 chart:
—My general fondness for this summer’s music is always tempered by the presence of Kenny Rogers’ “Lucille,” which I disliked in 1977 and still don’t care for today. I suspect it rose to #5 (and #1 in the UK, believe it or not) wholly on its earworm of a refrain, which you can most likely sing to yourself right now: “You picked a fine time to leave me, Lucille / With four hungry children and a crop in the field”.
—10cc’s “People in Love” spent the week of 6/25/77 at #40, its lone week on the chart. It was followed by the crazy-good threesome of the Commodores’ “Easy,” Boston’s “Peace of Mind” (heard it its 45RPM configuration), and “Couldn’t Get It Right” by the Climax Blues Band. There’s another fine stretch later on: Ferguson’s Rocky theme, ABBA’s “Knowing Me, Knowing You,” “Ariel” by Dean Friedman, Stevie Wonder’s “Sir Duke,” “Whatcha Gonna Do” by Pablo Cruise, and “Higher and Higher.”
All of this is another reminder, as we have noted before, how much damn fun it could be listening to the radio during the glory days of Top 40.
Maybe you don’t hear it like I do. Maybe you had to be there. In the summer of 1977, more than in most seasons, I’m grateful that I was.