The Whole Show

One of the more fascinating incidents in Elton John’s landmark-stuffed year of 1975 was the all-day concert he headlined at Wembley Stadium on June 21st. Supporting acts included Rufus, Joe Walsh, the Eagles (of which Walsh was not yet a member), and the Beach Boys. On that fine afternoon, the Beach Boys gave the crowd all the summertime they could handle—and set the bar almost too high for Elton to clear. Elton’s decision to play all of his then-new album Captain Fantastic and the Brown Dirt Cowboy caused many in the crowd to leave before the headliner was finished.

Almost 10 years ago, the live performance of Captain Fantastic got an official release as the second disc of a deluxe edition of the original album. The live disc also included performances of “Pinball Wizard” and “Saturday Night’s Alright for Fighting” from Wembley. The deluxe edition gives the impression that Captain Fantastic was the whole show, beginning with BBC Radio DJ Johnnie Walker introducing Elton, and Elton taking over to introduce his new album. We hear him apologize for the high price of it in English record shops, and then he warns that some people might be bored by hearing the whole thing but they’re going to play it anyway.

There was much more to Elton’s set that day, however. Before playing Captain Fantastic in its entirety, Elton packed a set with hit songs from the previous couple of years: “Funeral for a Friend/Love Lies Bleeding,” “Rocket Man,” “Candle in the Wind,” “The Bitch Is Back,” “Philadelphia Freedom,” “Bennie and the Jets,” and “Lucy in the Sky With Diamonds.” The set included a couple of off-the-wall choices: “Dixie Lily” from Caribou, and “Chameleon,” a song that would appear on the 1976 album Blue Moves. Elton even brought back “I Saw Her Standing There,” which he’d famously performed with John Lennon in New York the previous November. Only then did he and the band play Captain Fantastic start to finish.

A bootleg of the full Wembley show recently turned up at The Ultimate Bootleg Experience, but it’s not really the bonanza it appears to be. It opens with the Walker intro from the deluxe edition, then cuts to a pretty terrible audience recording of the first set: you can hear Elton and his piano but you can’t make out much else. The Captain Fantastic performance comes straight from the deluxe edition CD in copyright-infringing full-fidelity stereo. Still, it’s good to hear the whole thing (as much as it’s possible with such a crappy recording), and it makes it more understandable why Elton’s fans might have decided to pack it in before the show was over. You’ve been out in the sun all day and you’ve heard a lot of music. Elton’s played all of his hits, but the next 45 minutes is going to be stuff you don’t know, so why not call the day good enough and go beat the traffic?

One of the most interesting aspects of the show is that Elton had recently fired almost all of his band, some of whom had been playing with him since he still lived in his parents’ house. Only guitarist Davey Johnstone was retained, although several of the new players were musicians Elton had known and played with years before. The Wembley show was their first official gig together. At about the same time, the new band was recording the followup to Captain Fantastic. Rock of the Westies was being recorded mostly in Colorado (hence its name), so the band was zipping back and forth across the Atlantic that summer like most people go to the office.

Somebody should write a book about Elton’s remarkable 1975. I’m not the one to write it, but I’d definitely read it.

2 thoughts on “The Whole Show

  1. After somebody gets done writing the story of Elton John’s 1975, I want to see them write the oral history of Caribou Ranch, the studio in rural Colorado where a whole bunch of mellow gold got made during the Seventies.

  2. Pingback: The Heights of ’75 – The Hits Just Keep On Comin'

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