I was in the car the other day when “Shaving Cream” by Benny Bell came on. (Don’t ask.) In the 1940s, Bell began recording “party records”—a phrase that carried a particular connotation well into the 1960s. The genre itself persisted into the 70s. Party records were marketed as adults-only material, described with words like “spicy” or “lusty,” and usually featured suggestive, double-entendre comedy rather than open obscenity. Famous names in the party-record game included Rusty Warren, Ruth Wallis, Redd Foxx, and Rudy Ray Moore, better known as Dolemite, who may have been the bluest of the comics who “worked blue” in this period.
Party singles such as Bell’s frequently appared on barroom jukeboxes in their day, and would never have gotten radio play. By the middle of the 1970s, however, standards for acceptable comedy content had changed, thanks to the mainstream success of Richard Pryor, George Carlin, and others. And the very age of songs like Bell’s gave them a special sizzle—“hey, here’s a record that was too shocking for your grandma”—even as they seemed rather tame. Dr. Demento frequently played “Shaving Cream,” originally recorded in 1946, and the response to it was such that Vanguard Records picked it up for re-release in early 1975. That spring, it spent four weeks in the Top 40, peaking at Number 30. (The perpetual adolescence of American culture—the way we never fail to be amused by jokes about bodily functions—doubtlessly helps account for some of its popularity.)
Some sources say that the vocal on the record is by Paul Wynn, but the bulk of them say that Paul Wynn is a pseudonym under which Bell sometimes recorded. Others say that Wynn is a separate human being whose real name was Paul Winston, and who recorded his own version of “Shaving Cream”; furthermore, Wynn’s recording is sometimes confused with Bell’s, and has even been mistakenly released under Bell’s name. All of this means that it’s possible for Bell’s famous recording to be in reality Wynn’s recording, and in two different ways. I suppose I could try to figure it out, but frankly, I’m losing interest in the whole thing the longer this post goes on.
I was poking through the Billboard charts looking for sh—“Shaving Cream” when I noticed that during the week of April 12, 1975, “Shaving Cream,” then at Number 45, was followed by Fanny’s “Butter Boy” at 46, down from its peak at 29, and in its last week before dropping out of the Hot 100 altogether. It reminded me that a couple of months ago, one of my Internet pals, bean, e-mailed a clip from a 1975 broadcast of American Top 40 that featured “Butter Boy,” a song I hadn’t heard in ages. I heard it again the other day, and found myself wondering how it ended up a bigger hit in Billboard than Fanny’s 1971 hit “Charity Ball.” “Butter Boy” is a decent bit of neo-bubblegum, while “Charity Ball” is one of the great bangin’ rock singles of all time.
But all kinds of sh—shaving cream was on the radio that spring of ’75. In close proximity to Benny Bell and Fanny on the Hot 100 during that same April week was Bobby Vinton’s recording of “Beer Barrel Polka” at Number 42, which itself was right behind David Bowie’s “Young Americans” at Number 41, a juxtaposition that’s pure 70s. Also in the middle region of the chart (at its peak, Number 55) was Tom T. Hall’s “Sneaky Snake.” There’s probably a whole post in the career of Tom T. Hall, one of the bigger country stars of the 1970s, who was enjoying a bit of pop-radio success between 1973 and 1975, but today’s not the day for it.
Programming Note: Today is, however, the day on which a new edition of “One Day in Your Life” is supposed to appear at Popdose. It may be here.